I used two different approaches in producing these samples:
* hand or machine stitching, then drawing the fabric up tightly
* dense machine stitching which did not need to be drawn up
The first sample shows hand stitching, in lines, in a block and to outline shapes. The four lines at the bottom are running stitches through one, two, three and four layers of fabric. I used polyester thread double for the stitching.
I started pulling up the threads with the nested squares on the right and I definitely got better as I progressed, because this part did not come out well but the other areas were better.
Here are the results for the parallel lines at the bottom.
And here are the results for the top portion.
I also had a couple of samples using machine stitching, where I had loosened the top thread so I could draw up the stitches. Both used parallel lines of stitching, like this.
For the second sample, I used a thicker (quilting) thread in the bobbin, which meant that I didn't have any breakages.
The second approach was something I'd heard about at a show last year and wanted to try for myself. The idea is that stitching will block the dye from fabric covered by a close zigzag or other dense stitch patterns. I tried two stitches in these three samples, in which I pleated the fabric before stitching through all the layers. The stitches are all close zigzag except for the thinner lines in the middle sample which use a stretch stitch. This was an easy way to get a repeat pattern.
The straight lines came out rather faint, but the others worked better. Here are the results.
For more ideas, see the blog 'And then we set it on fire', where October 2014 was devoted to stitch resists.








